Our Revels Now Are Ended: In Memory of Jonathan Frid
© By John Arkelian
“Our revels now are ended. These our actors, as I foretold you, were all spirits and are melted into air, into thin air: And, like the baseless fabric of this vision, the cloud-capp’d towers, the gorgeous palaces, the solemn temples, the great globe itself, yea, all which it inherit, shall dissolve, and, like this insubstantial pageant faded, leave not a rack behind. We are such stuff as dreams are made on, and our little life is rounded with a sleep.”
William Shakespeare, from “The Tempest” Act 4, Scene 1
I was fortunate to call Jonathan Frid, the eminent Canadian actor who was this country’s answer to Richard Burton, my friend. Trained as an actor at the Royal Academy of Dramatic Arts in London, England, John earned a Master’s in Directing at Yale, and he went on to work in Shakespearian theater in Toronto (before the establishment of Stratford Festival) and in the early days of CBC Radio drama (an invaluable national treasure that government cutbacks to the CBC have recently killed). But he spent most of his career in the United States, working on and off Broadway with such luminaries as Katherine Hepburn and John Houseman. In 1967, he was hired to play a vampire, Barnabas Collins, on the ABC-TV Gothic drama series “Dark Shadows.” He invested that fantastical creature with deep humanity and dignity. A series that was on the verge of cancellation suddenly attracted stratospheric ratings; and John’s riveting, charismatic, and nuanced portrayal of a tragic and tormented man who was afflicted with deep inner sadness and dark turmoil of truly Shakespearian proportions made him a superstar and a lasting icon of popular culture in the United States. Ironically, “Dark Shadows” was hardly shown in Canada, and John remained almost unknown here in his native land. Three film roles (two of them as the lead) and a return to his beloved work as a stage actor followed, as did a touring one-man show (that twice came to our immediate environs)
in which John remarkably transformed himself — using only his voice, face, and body language — into characters as diverse as Richard the Third, Caliban, and the deadly antagonists from Poe’s “The Cask of Amontillado,” to cite only a few examples. I met John when he retired back to Canada: I conducted a series of extensive interviews with him (interviews which ran to about twelve hours in length!), and we became fast friends. I fondly remember a remarkably gifted performing artist, a man who was unpretentious about the great fame he continued to have in other countries, an iconoclast with a wry sense of humor, a man who was as calmly unperturbed about aging as he was about his unaccustomed anonymity, and an elegant man of great courtesy, generosity, and talent. John died on April 14, 2012. Those who knew him, and those who were touched by his work, will miss him.
© 2012 by John Arkelian.
You haven’t heard the passage from Shakespeare’s “The Tempest” which is quoted above, until you heard Jonathan Frid recite those words — with inimitable authority, mystery, and poignancy.
Editor’s Note: Jonathan Frid has always been overlooked for such recognition as the “Canadian Film and Television Hall of Fame” and “Canada’s Walk of Fame,” even though he is an obvious, essential choice for both. Artsforum nominated John Frid for both awards several years ago and did so again in early April 2012. Is it too much to hope that he might get the recognition posthumously that he deserved to get in life?
“Stargate Universe” Consigned to the Black Hole of Unwarranted Cancellation!
It defies belief that a series as engrossing, well-written, and well-acted as
“Stargate Universe” would get an unceremonious heave-ho after a mere two seasons. Why not approach other potential broadcasters, such as Canada’s
CBC or Space networks, in an effort to find a new home for this first-rate
series? SGU is the best science fiction series on television right now, and one of the very best in that genre to appear in years. It also happens to make very
compelling viewing as character-drama, quite apart from its genre setting and subject matter. As the production home of all three Stargate television series, Canadians should be proud of their country’s contribution to Stargate Universe’s quality and the loyalty it commands among its viewers.
May 30, 2011